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Ethnomusicology
Ethnomusicology is an area of study encompassing various approaches to the study of the many musics around the world that emphasize their cultural, social, material, cognitive, biological, and other dimensions or contexts instead of or in addition to its isolated sound component or any particular repertoire.
Ethnomusicology – a term coined by Jaap Kunst from the Greek words ἔθνος (''ethnos'', "nation") and μουσική (''mousike'', "music") – is often described as the anthropology or ethnography of music. Initially, ethnomusicology was almost exclusively oriented toward non-Western music, but now includes the study of Western music from anthropological, sociological and intercultural perspectives. Bruno Nettl once characterized ethnomusicology as a product of Western thinking, proclaiming that "ethnomusicology as western culture knows it is actually a western phenomenon"; more recently, Jeff Todd Titon has described it as the study of "people making music."
==Definition==
Stated broadly, ethnomusicology may be described as a holistic investigation of music in its cultural contexts.〔See 〕 Combining aspects of folklore, psychology, cultural anthropology, comparative musicology, music theory, and history,〔McCollum, Jonathan and Hebert, David, Eds., (2014). ''Theory and Method in Historical Ethnomusicology'' Lanham, MD: Rowman&Littlefield.〕 ethnomusicology has adopted perspectives from a multitude of disciplines. This disciplinary variety has given rise to many definitions of the field, and attitudes and foci of ethnomusicologists have evolved since initial studies in the area of comparative musicology in the early 1900s. When the field first came into existence, it was essentially limited to the study of non-Western music, in contrast to the study of Western art music which had been the area of focus for conventional musicology. In fact, the field was referred to early in its existence as “comparative musicology,” defining Western musical traditions as the standard to which all other musics were compared, though this term fell out of use in the 1950s.〔Nettl, Bruno. "The Harmless Drudge: Defining Ethnomusicology." The Study of Ethnomusicology: Thirty-one Issues and Concepts. Urbana: University of Illinois, 2005. 3-15. Print.〕 Over time, the definition broadened to include study of all the musics of the world according to certain ''approaches''.〔Myers, Helen. 1992. “Ethnomusicology.” In Ethnomusicology: An Introduction, ed. Helen Myers, 3-18. New York: Norton.〕〔Merriam, Alan. 1960. “Ethnomusicology: A Discussion and Definition of the Field.” Ethnomusicology 4(3): 107-114.〕
While there is not a single, authoritative definition for ethnomusicology, a number of constants appear in the definitions employed by top scholars in the field. It is agreed upon that ethnomusicologists look at music from beyond a purely historical perspective, and look instead at music within culture, music as culture, and music as a reflection of culture.〔〔 In addition, many ethnomusicological studies share common methodological approaches encapsulated in ethnographic fieldwork, usually traveling to an area (or areas) of interest, then interviewing people involved in the music culture and, often, taking on the role of a participant observer in learning to perform in a musical tradition, a practice Hood termed "bi-musicality".〔 Musical fieldworkers often also collect recordings and contextual information about the music of interest.〔 Thus, ethnomusicological studies do not rely on printed or manuscript sources as the sole source of epistemic authority.
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